Abacus is a table composed of a powder-coated steel structure and natural or burnt solid oak tops. Abacus pushes conventions aside. The table tops glide and move freely along the structure without any constraints, leaving the user free to choose the layout. As the plates disappear, the structure reveals itself and becomes a graphic element that takes shape in space. From a dinner for two, to a family meal, the table is composed and broken down in a playful way.
Cross-border/international
France
France
Member State(s), Western Balkans and other countries: Belgium
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It addresses urban-rural linkages
It refers to other types of transformations (soft investment)
No
No
Yes
2022-11-15
As an individual
First name: Pierre-Emmanuel Last name: Vandeputte Gender: Male Nationality: France If relevant, please select your other nationality: Belgium Address (country of permanent residence for individuals or address of the organisation)<br/>Street and number: Rue du Cheval Noir, 17 Town: Brussels Postal code: 1080 Country: Belgium Direct Tel:+32 488 65 54 55 E-mail:info@pevdp.com Website:https://www.pierreemmanuelvandeputte.com/
Social media handle and associated hashtag(s): http://instagram.com/pevdp/
Abacus is a table composed of a powder-coated steel structure and natural or burnt solid oak tops. Abacus pushes conventions aside. The table tops glide and move freely along the structure without any constraints, leaving the user free to choose the layout. As the plates disappear, the structure reveals itself and becomes a graphic element that takes shape in space. From a dinner for two, to a family meal, the table is composed and broken down in a playful way. Abacus is a game of translation and composition between the different guests where the placements are random and change according to our needs and desires.
Table
Adaptable
Flexible
Modular
Adequation
We all have a table at home, but are we always 6 or 8 around this massive object? Why this object will not adapt to our daily needs? This is the purpose of the Abacus table. By moving, removing, one or the other trays, we make this object evolve with our daily needs.
The table becomes a living element of the house, from a dinner for two to a family reunion, the table will respond to its users by adjusting their needs.
The table becomes an interactive element, with which we are confronted. Its user plays with the object to give it back its real function.
The table becomes a playful element of the house, reducing its imposing visual impact, until it becomes a sculptural object.
This is a project made during the pandemic, a simple drawing to return to the essence of our domestic needs. I made the first prototype by hand, in my workshop located in Zaventem, on the outskirts of Brussels. In the same periphery where I bought my steel and my wood. After several tests, the product is now to be put on the market. A helping hand from you would increase its visibility and its distribution significantly.
It is a unique creative process, and a desire to make objects with a real impact, and conveying a story behind! I have a classical training in industrial design, allowing me to have a pragmatic approach, while detaching myself from the constraints of mass production in order to bring the necessary narration to the object.
In general, the object questions. People wonder about the use, and this new perspective that I bring them.
If we analyze the current design market, we will find objects that meet practical, even pragmatic needs.
I am deeply convinced that we are beings, having more necessities than simply drinking, eating, and sleeping.
So why couldn't the object bring an answer?
The method is simple, I am fascinated by the "doing". I love visiting artisans' workshops and discovering knowledge, appropriating it, mixing it up, and creating anew.
I believe the answer lies in the purpose, we all have a table. Certainly at different heights, but it is an object that we all have and all need.
The main challenge is to change mentalities on the perception of the objects we have and their ways of using them.