Skip to main content
  1. Home
  2. Finalists
  3. champions
  4. Design Wings
  • Project category
    Shaping a circular industrial ecosystem and supporting life-cycle thinking
  • Basic information
    Design Wings
    Design Wings
    "Design wings" brings together young designers and small and medium-size Lithuanian enterprises to facilitate their collaboration. Working together they created 15 design solutions that are sustainable, eye-catching and in line with the principles of the circular and/or digital economy. Recent design graduates gained experience while working in the enterprises and creating design solutions. Equally important that enterprises and communities have received sustainable products and services.
    National
    Lithuania
    {Empty}
    It addresses urban-rural linkages
    It refers to a physical transformation of the built environment (hard investment)
    Yes
    ERDF : European Regional Development Fund
    {Empty}
    No
    Yes
    2023-01-31
    As a representative of an organisation
    • Name of the organisation(s): Lithuanian Council for Culture
      Type of organisation: Public authority (European/national/regional/local)
      First name of representative: Karolina
      Last name of representative: Kazukauskaite
      Gender: Female
      Nationality: Lithuania
      Function: Communication officer
      Address (country of permanent residence for individuals or address of the organisation)<br/>Street and number: Naugarduko str. 10
      Town: Vilnius
      Postal code: LT-01309
      Country: Lithuania
      Direct Tel: +370 615 44867
      E-mail: karolina.kazukauskaite@ltkt.lt
      Website: https://www.dizainosparnai.lt/
    Yes
    From Project advisor
  • Description of the project
    Objective of the project
    It is especially important for the Lithuanian business to increase its competitiveness and to orient towards the European Green Deal. It is not possible without well designed solutions and professionals who are able to create them. "Design Wings” is a year long programme that is aimed to foster positive change in connecting recent design graduates, also increase the abilities of states’ economy to meet the global challenges of pandemics, international competitiveness, efficiency and implementation of circular economy, as well guarantee a permanent economic growth.
    Targeted groups:
    ● Apprentice designers who had completed their studies in 2018-2022. Due to pandemics, they had a lower chance to be employed.
    ● SMEs Lithuanian enterprises. Due to Innobarometer (2015), 62% of Lithuanian enterprises do not use design but there is a huge potential.
    Connecting emerging designers and SMEs result in the benefit they gain from the collaboration. Designers gain a valuable experience while working in the enterprises and solving real problems. Small enterprises often lack finances to employ a professional designer or has a presumption that design services cost a fortune. Meanwhile, taking part give a chance for SMEs to have the “in-house” designer who could thoroughly examine the needs and create an individual design solution that would increase competitiveness of the enterprise.
    Goals of the project:
    To create design solutions corresponding to the principles of circular economy and digital transition.
    To give a chance for design graduates to get real work experience with a support of professionals (mentors).
    To improve the quality of local production and competitiveness of enterprises.
    Results of the project:
    15 new design solutions (products and services) were created. All created design solutions are sustainable, decreasing impact on the environment, stimulating the secondary use use of the product and encouraging digital transition.
    Circular economy
    Digitization
    Sustainability
    Young designers
    SMEs
    The goal to create design solutions that meet main principles of circular and digital economy have been succeeded. Different case studies showcase that product’s design may determine up to 80 percent of the product’s impact on the environment. Thus, good design solutions are based not only on the principles of recycling and repairing but also on long lasting products that have an added value and could sometimes serve for few generations. Principles of the digital economy as well enable to create versatile and more eco-friendly design solutions, decreasing the input and the trace of carbon emissions. Small enterprises, especially in the regions, often lack particular knowledge about sustainability and how it can be integrated into the design of the product or the service but with a help of designer and design professional can achieve big goals.
    Various surveys disclose that people are eager to choose sustainable products, contributing to the saving of the environment. Design solutions meeting the requirements of circular and digital economy created in the scope of the project has a higher aesthetic value and seems more attractive because they have been created by the emerging design professionals who were guided by the experienced mentors. There is no doubt that attractive and contemporary design strengthened competitive advantages of the enterprises, e. g., providing sustainable services (tours on foot to the residential areas, articles manufactured using local products and sold only in the local market). This project can become an exemplary one because apprentice designers create professional, analytically grounded, aesthetically attractive and relevant design solutions.
    The project demonstrates the high value of design not only for companies but also use design on the administrative level - the visual identity elements have been created by a professional designer Aivaras Bakanas, all further adaptations were made by a full time employed designer.
    This project involved various people – businessmen, designers, mentors – possessing different skills and experiences, coming from all parts of the country. One of the benefits is that Lithuanians who graduated abroad were welcomed to come back home and work for a local business. The project has been communicated in Lithuanian and English with a goal to expand the invitation for Belarusians who were running from dictatorship (one designer is successfully working at the project) and Ukrainians who had to leave their country due to the Russian invasion. All the participants of the project, who we define as the community, have a possibility to communicate one with another on-line and during live meetings where they share their experiences and ideas. The work regarding design solutions is carried out on the inclusion basis: designers can receive an assistance or advice from the professional of the different design branch (graphic, product, service, fashion or UX) in case it is necessary. Design solutions meet design for all principles because they correspond to the principles of circular economy, i. e., they are environment-friendly and do not cause consequences for the future generations and nature. The key Design Thinking principles are always in use.
    The apprentice designers who have completed their studies in 2018-2022 were invited to take part in the project because as the employees of the creative segment they were affected by the COVID-19 pandemic, lost their income and possibility to improve professional skills. In the course of the project, they receive scholarships, improve their professional skills and aquire professional ethics while collaborating with the enterprise. The other group benefiting from the project are representatives of small and medium-size businesses who do not have the possibility to employ designers paying them the market price. Professional design solutions that are created in the course of the project for them for free help to increase competitiveness of the enterprise, to expand business offering new or improved products and services. Civil society and citizens are involved into the project by consuming the created design products that meet the requirements of sustainability and principles of circular economy. Thus, the circular economy is as well entrenched.
    Lithuanian Design Ecosystem has been mapped and the Lithuanian Design Action Plan has been created in 2016 in the scope of Design for Europe project with a help of Dr. Anna Whicher. During the workshops that were organised in a scope of a study, different stakeholders identified the limited continuous professional development for designers. According to the Innobarometer 2015, only 6% Lithuanian companies consider design as strategy (EU average is 13%).
    The whole idea of the project came up in the summer of 2020 while the working group has gathered at the Ministry of Culture of Lithuania with a mission to find a solution how to support creative industries that had a huge impact of pandemics. Ministries, agencies, councils, NGOs were involved into the brainstorming session. Design was definitely not the first priority for SMEs trying to survive pandemics, design graduates were suffering for a lack of job proposals. The recovery assistance for cohesion and the territories of Europe (REACT-EU) programme became a good instrument to foster a positive change - support SMEs and emerging talents who had a poor chance to be employed due to pandemics.
    This project is a success story of power that comes from cooperation of different stakeholders - politicians, designers and businesses. The whole promotion campaign was spread through various channels - from schools to business associations and municipalities.
    This is a project where different design disciplines cross each other – graphic, product, fashion and UX design sometimes merge and lead to wonderful results.
    There are three key elements of the programme – young designers, design professionals and SMEs. A part of the programme was dedicated for learning - all participants received an extra special training in marketing, sustainability, digitalization, administration, office culture and etc. When everybody where on the same page, enterprises started to work closely with a designer, mentors were constantly supervising the process, giving advice. All six mentors were meeting once a week to share experience, news and challenges. The administrative personnel were always monitoring the process, meeting at least once a week. All reporting was done monthly for the Agency of Innovation, while representatives from the Ministry of Culture where coming constantly to the events.
    Results, outcomes and impacts achieved by the project:
    ● 15 design solutions meeting sustainability and circular economy principles that are at once commercialized, adapted for the production and realisation were created during the project.
    ● Apprentice designers affected by the pandemic financially and professionally, improve their skills, acquire new knowledge and establish new contacts.
    ● Small and medium-size enterprises not only acquire theoretical knowledge but also receive tangible design solutions created according to their needs. Particularly designed solutions increase enterprise competitiveness, enabling them to implement principles of circular and digital economy in their business.
    ● Indirect beneficiaries of the project are potential customers of these enterprises who will be able to benefit from the sustainable, aesthetic and convenient design solutions. These products will enable customers to spare funds because their design is adapted for the secondary use, the use of the product without residual, repairing and etc.
    ● The project demonstrates the real added value that design creates and might encourage other companies to invest more into design and research and development.
    This project is of the innovative character because:
    ● Involves potential of young creators, renders them the platform to implement their ideas and to gain professional experience
    ● Enables small and medium-size enterprises to receive sustainable design solutions that correspond the principles of the circular economy
    ● Educates businessmen and designers’ community about the benefits of the circular and digital economy to the business
    Special methods and criteria were used during designers and companies selection procedure.
    Designers meeting the below mentioned criteria are entitled to submit applications:
    ● Have a university or higher college degree in design with a bachelor's or master's degree or equivalent, obtained no earlier than 2018
    ● Not currently employed
    ● Currently studying in a higher education institution and applying for the activities that do not form part of the study programme
    ● Has a diploma of design study programme, a curriculum vitae and a description of his (her) creative activity.
    ● Planning to reside in Lithuania until 31 July 2023
    ● Non-Lithuanian citizen, yet able to communicate and perform tasks in Lithuanian or English

    Enterprises meeting the below mentioned criteria are entitled to submit applications:
    ● Meeting the criteria for the category of micro, small and medium-sized enterprises defined in the Law on Small and Medium-Sized Business Development
    ● Operating more than a year; registered in the Register of Legal Entities; generating income and periodically reporting to the responsible public authorities
    ● With the average income since the day of registration or over the last 3 financial years amounting to at least EUR 50 000
    ● Have not received funding under the „Creative Vouchers COVID-19“ financial support instrument
    ● Have repaid support previously received which was declared unlawful by the European Commission
    ● Not subject to international sanctions and not involving the participation of entities subject to such sanctions in their activities
    All the applications are submitted on-line, afterwards administrative compliance of the requirements is assessed, later the expert assessment is carried out.
    The project in its’ full extent can be transferred to the regions, involving local enterprises and trying to use local resources. The other element of the project, i. e., the potential of apprentice designers, can be replicated in public or governmental institutions when creating contemporary, efficient design solutions that would increase the availability and quality of the rendered services.
    The project model could be scaled and applied for other sectors, such as literature, music, cinema and etc. where young graduates can receive mentorship and companies that need products and services from creative industries without big financial investment and risks.
    The European Green Deal is especially important for the future of the EU. The project "Design Wings' that is implemented locally, helps to realize the ideas of the European Green Deal vertically – from bottom to top, i.e., from the particular enterprise and the surrounding community those ideas are conveyed in the broader extent – in the region, country and thus increase notoriety of the product itself. This happens because through the created design solutions enterprises not just acquire knowledge but as well experience the benefits of the modern and contemporary design and become more motivated to apply these and similar solutions in the future.
    • Lukas_Avenas_Uvireso-02.jpg
    • IMG_1147.jpg
    • Elze_Janutaite_BS1.jpg
    • Juste_Bukauskyte_Integrated_Optics.png
    • Prodo.jpg
    • medicata-horizontal.jpg
    • IMG_1141.jpg
    • M.Pernavaite_KSU_DS.png
    {Empty}
    Yes
    Yes
    Yes
    Yes
    Yes
    Yes
    Yes